I am honored to participate in this years Jerusalem Biennale – in the group show “A Sense of Space, A Sense of Place, curated by my talented colleague Mallory Serebrin. The show is in a unique location – a century old Armenian villa, that served for half a century as a school for deaf children. The exterior is magnificent. The interior – reminds me of my artwork! The work is a polydych, of four panels, called “Common Cypress”, the botanical name of the Mediterranean cypress. In Hebrew – ברוש מצוי Each panel is named buy a line from a song of the Israeli cannon, revealing a strong connection to this unique place.
בחמסין בקרה – מ”ברוש” של אהוד מנור ואריאל זילבר
באב אל ואד – מילים חיים גורי
נומה עמק ראץ תפארת מ”שיר העמק, מילים נתן אלטרמן
מארץ מרחקים מ”אל הציפור” מילים חיים נחמן ביאליק
Images from the Gallery Talk
A peek at my painting process. Early May, 2013.
Pencil and ink, then gouache, on 3 “Claybord” panels. (Wood, coated with white clay.) 30 x 135 cm.
Cypresses in a Red Field, Gouache, Jan 2014
I completely forgot that I had painted this last January.
I must have been playing with my old positive/negative reversal toy, after giving that assignment to an art class.
עבודה נשכחה, מלפני שנה. גואש.
חזרתי לשחק בצעצוע היישן של פיטיב/נגטיב, אולי לאחר שנתתי את התרגיל הזה לתלמידים
When I hear the protest “But I don’t know how to draw!” I hand students scrap paper and scissors and tell them to cut simple stencils. That way we get past their childhood comparisons to the project of the kid sitting next to them in art class, and begin learning about painting!
The second secret is in the mess: To free the the class up for experimentation, I put on some crazy music, and tell them to to attack the page with paint, while moving with the rhythm. Working standing up, with the weaker hand helps too. Once that undercoat is happy and uninhibited, we begin to work with the stencils.
My students’ results are often better than my own work! I certainly learn a lot from them.
I have been busy exploring the border between drawing and painting. Gouache over pencil, pastel, oil pastel, calligraphy ink…. and whatever else was within arms reach. 30.5 x 30.5 on Ampersand Clay Panels (Koalin – white clay on hardboard. An artist’s dream come true. Alas, they ain’t available here in Israel, and my secret source has run dry.)